What you DON’T do on the eve of the recording session, is dodge my calls. Click twice on the link below for a peek behind the curtain at the wizard. Eve of Recording
[Read The Full Post]
August 8, 2010
Joe’s Puppet Period
My dearest friend, 100 years from now, this point in time will be referred to as Joe’s “Puppet Period.” Pernice To Me (The Revenge of Joe Pernice) So, we’ve talked about touring – its futility and money-sucking properties. Probably not going to happen. And if you’ve been hanging out with us since the release of [...]
[Read The Full Post]
Goodbye, Killer by Pernice Brothers is Joe Pernice’s first band album since 2006’s Live a Little. In several weeks-long bursts of work over the course of a couple of years, in between writing a novel, recording a soundtrack for said novel, touring on both, and doing real-life things, Joe, his brother Bob, and long-time collaborators James Walbourne (Pretenders, Son Volt, Peter Bruntnell) and Ric Menck (Matthew Sweet, Velvet Crush) holed up in an attic in Boston and recorded these 10 Pernice originals.
Goodbye, Killer should appease Pernice fans from all walks of life. It includes the full on rock ‘n rollers “Jacqueline Susann” and “Bechamel,” signature pop songs “The Great Depression” and “F***ing and Flowers,” the Scuds-esque “Newport News” and “The End of Faith,” and two AM radio would-be classics “The Loving Kind” and “Goodbye, Killer.” Pernice refers to the undeniably show tune-y number “We Love the Stage,” as his “homage to vaudeville, indie rock and learning to love betting against yourself.” (Whatever. Pernice’s manager just hopes it’s the first song in the musical he and Walbourne are going to write, because she’d love to lose a lot of money producing musicals too.)
Goodbye, Killer is a versatile album that’s trademark Pernice.